44/38

Sophie Thatcher and Chloe East in Heretic, plus more modern women killing the horror game

Tale

Two young religious women are drawn into a game of cat and mouse in a strange man’s house.

The film is undeniably intriguing, engaging viewers in complex discussions that feel both timeless and urgent

The end credits include the statement: "No Generative Al was used in the making of this film." Hugh Grant delves into the dense world of theological debate, tackling topics rarely touched upon in mainstream films.

Grant’s performance is captivating, but it lacks an intangible quality that prevents the film from fully resonating

Yet as I watched, I found myself struggling with one elusive question: was Heretic a compelling film or simply an ambitious attempt that failed?

Maybe it’s Grant himself, who doesn’t quite give up his familiar charm to embody a character mired in philosophical conflict

Alternatively, it could be the script, which seems torn between presenting a gripping story with a profound message and a condescending lecture through Grant as a medium.

The supporting cast does an excellent job in the rather difficult roles they had to play alongside Grant as the lead

This identity crisis leaves the film feeling somewhat ungrounded, making The Heretic a compelling watch, but ultimately difficult to categorize as either entirely successful or lacking.

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